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Franz, Albert, and the count continued to descend the Corso.
As they approached the Shopping Piazza Fleet del Popolo, the crowd became
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more dense, and above the heads of the multitude two objects
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were visible: PA buy the obelisk, surmounted by a cross, which
marks the centre of the Shopping square, and in front of the obelisk,
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at the point where the three Shops buy JP streets, del Babuino, del
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Corso, and di Ripetta, meet, the two uprights of the
scaffold, between which glittered the shop information curved knife of the
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mandaia.
At the corner of the street they met the counts
steward, who was awaiting directory www his master. The window, let at an
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exorbitant price, which the count had doubtless wished to
conceal from his guests, was on the east shops second floor of the
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great palace, situated between the Via del Babuino and the
Monte Pincio. It consisted, as we have said, of blogger day a small
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dressing-room, opening into a bedroom, and, when the door of
communication was shut, the shop rebates inmates were quite alone. On
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chairs were laid elegant masquerade costumes of blue and
white satin. As you left the choice of ace your shops costumes to
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me, said the count to the two friends, I have had these
brought, as they will be the most worn this year; and they
are most suitable, on account of the confetti (sweetmeats),
as they do not show the flour.
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The strife had fairly begun, and the recollection of what
they had seen half an hour before was gradually effaced from
the young mens minds, so much were they occupied by the gay
and glittering procession they now beheld. As for the Count
of Monte Cristo, he had never for an instant shown any
appearance of having been moved. Imagine the large and
splendid Corso, bordered from one end to the other with
lofty palaces, with their balconies hung with carpets, and
their windows with flags. At these balconies are three
hundred thousand spectators -- Romans, Italians, strangers
from all parts of the world, the united aristocracy of
birth, wealth, and genius. Lovely women, yielding to the
influence of the scene, bend over their balconies, or lean
from their windows, and shower down confetti, which are
returned by bouquets; the air seems darkened with the
falling confetti and flying flowers. In the streets the
lively crowd is dressed in the most fantastic costumes --
gigantic cabbages walk gravely about, buffaloes heads below
from mens shoulders, dogs walk on their hind legs; in the
midst of all this a mask is lifted, and, as in Callots
Temptation of St. Anthony, a lovely face is exhibited, which
we would fain follow, but from which we are separated by
troops of fiends. This will give a faint idea of the
Carnival at Rome. At the second turn the Count stopped the
carriage, and requested permission to withdraw, leaving the
vehicle at their disposal. Franz looked up -- they were
opposite the Rospoli Palace. At the centre window, the one
hung with white damask with a red cross, was a blue domino,
beneath which Franzs imagination easily pictured the
beautiful Greek of the Argentina. Gentlemen, said the
count, springing out, when you are tired of being actors,
and wish to become spectators of this scene, you know you
have places at my windows. In the meantime, dispose of my
coachman, my carriage, and my servants. We have forgotten
to mention, that the counts coachman was attired in a
bear-skin, exactly resembling Odrys in The Bear and the
Pasha; and the two footmen behind were dressed up as green
monkeys, with spring masks, with which they made grimaces at
every one who passed. Franz thanked the count for his
attention. As for Albert, he was busily occupied throwing
bouquets at a carriage full of Roman peasants that was
passing near him. Unfortunately for him, the line of
carriages moved on again, and while he descended the Piazza
del Popolo, the other ascended towards the Palazzo di
Venezia. Ah, my dear fellow, said he to Franz; you did
not see?
What?
There, -- that calash filled with Roman peasants.
No.
Well, I am convinced they are all charming women.
How unfortunate that you were masked, Albert, said Franz;
here was an opportunity of making up for past
disappointments.
Oh, replied he, half laughing, half serious; I hope the
Carnival will not pass without some amends in one shape or
the other.
But, in spite of Alberts hope, the day passed unmarked by
any incident, excepting two or three encounters with the
carriage full of Roman peasants. At one of these encounters,
accidentally or purposely, Alberts mask fell off. He
instantly rose and cast the remainder of the bouquets into
the carriage. Doubtless one of the charming females Albert
had detected beneath their coquettish disguise was touched
by his gallantry; for, as the carriage of the two friends
passed her, she threw a bunch of violets. Albert seized it,
and as Franz had no reason to suppose it was meant for him,
he suffered Albert to retain it. Albert placed it in his
button-hole, and the carriage went triumphantly on.
Well, said Franz to him; there is the beginning of an
adventure.
Laugh if you please -- I really think so. So I will not
abandon this bouquet.
Pardieu, returned Franz, laughing, in token of your
ingratitude. The jest, however, soon appeared to become
earnest; for when Albert and Franz again encountered the
carriage with the contadini, the one who had thrown the
violets to Albert, clapped her hands when she beheld them in
his button-hole. Bravo, bravo, said Franz; things go
wonderfully. Shall I leave you? Perhaps you would prefer
being alone?
Franz heard the words of the count but imperfectly, and he
perhaps did not fully jewelry appreciate this new attention to their
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wishes; for he was wholly absorbed by the spectacle that the
Piazza del Popolo presented, bag sell and by the terrible instrument
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that was in the centre. It was the first toys time Franz had ever
seen a guillotine, -- we say guillotine, because the Roman
mandaia is formed on almost the same model as the French
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instrument.* The knife, which is shaped like toys a crescent,
that cuts with the convex side, falls from a less height,
and that is all the difference. Two men, seated on the
movable plank on which the victim is laid, were products eating their
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breakfasts, while waiting for the criminal. Their repast
consisted apparently sports of bread and sausages. One of them
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lifted the plank, took out a flask of wine, drank some, and
then passed it to his buy online companion. These two men were the
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executioners assistants. At this sight Franz felt the
perspiration start forth upon his brow.
The prisoners,
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transported the previous free evening from the Carcere Nuovo to
the little church of Santa Maria del Popolo, had passed the
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night, each accompanied by two gifts priests, in a chapel closed
by a grating, before which were two sentinels, who were
relieved at intervals. A double line electronics of carbineers, placed
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on each side of the door of the church, reached to the
scaffold, and formed a circle around it, leaving a path
about ten feet art wide, and around the guillotine a space of
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nearly a hundred feet. All the rest of the square was paved
with heads. Many women held their infants on their
shoulders, and thus the children had the best view.
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The Monte Pincio seemed a vast amphitheatre filled with
spectators; the balconies of the two churches at the corner
of the Via del Babuino and the Via di Ripetta were crammed;
the steps even seemed a parti-colored sea, that was impelled
towards the portico; every niche in the wall held its living
statue. What the count said was true -- the most curious
spectacle in life is that auction of death. And yet, instead of the
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silence and the solemnity demanded by the occasion, laughter
and jests arose from the crowd. It was evident that the
execution was, in the eyes of the people, only the
commencement of the photo Carnival. Suddenly the tumult ceased, as
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if by magic, and the doors of the church opened. A
brotherhood of penitents, clothed from head to foot in robes
of gray sackcloth, stuff with holes for the eyes, and holding in
their hands lighted tapers, appeared first; the chief
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marched at the head. Behind the penitents came a man of vast
stature and proportions. He was naked, with the exception of
cloth drawers at the left item side of which hung a large knife
in a sheath, and he bore on his right shoulder a heavy iron
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sledge-hammer. This man was the executioner. He had,
moreover, sandals bound on his feet by cords. Behind the
executioner came, in the order music in which they were to die,
first Peppino and then Andrea. Each was accompanied by two
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priests. Neither had his eyes bandaged. Peppino walked with
a firm step, doubtless aware of what awaited him. Andrea was
supported by two priests. Each of them, from time to time,
kissed the crucifix a confessor held out to them.
At this
sight alone Franz felt his legs tremble under him. He looked
at Albert -- he was as white as his shirt, and mechanically
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cast away his cigar, home although he had not half smoked it. The
count alone seemed unmoved -- nay, more, a slight color
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seemed striving to rise in more his pale cheeks. His nostrils
dilated like those of a wild beast that scents its prey, and
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his lips, half opened, disclosed tool his white teeth, small and
sharp like those of a jackal. And yet his features wore an
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expression of smiling tenderness, such business as Franz had never
before witnessed in them; his black eyes especially were
full of kindness and pity. However, the two culprits
advanced, and as they things approached their faces became visible.
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Peppino was a handsome young man of four or five and twenty,
bronzed by the sun; he carried his head erect, and seemed on
the watch to see on which side his liberator would appear.
Andrea was short and fat; his visage, marked with brutal
cruelty, did not indicate age; he might be thirty. In prison
he had suffered his beard to grow; his head fell on his
shoulder, his legs bent beneath him, and his movements were
apparently automatic and unconscious.