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Franz, Albert, and the count continued to descend the Corso.
As they approached the Shopping Piazza Fleet del Popolo, the crowd became
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more dense, and above the heads of the multitude two objects
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were visible: PA buy the obelisk, surmounted by a cross, which
marks the centre of the Shopping square, and in front of the obelisk,
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at the point where the three Shops buy JP streets, del Babuino, del
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Corso, and di Ripetta, meet, the two uprights of the
scaffold, between which glittered the shop information curved knife of the
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mandaia.
At the corner of the street they met the counts
steward, who was awaiting directory www his master. The window, let at an
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exorbitant price, which the count had doubtless wished to
conceal from his guests, was on the east shops second floor of the
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great palace, situated between the Via del Babuino and the
Monte Pincio. It consisted, as we have said, of blogger day a small
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dressing-room, opening into a bedroom, and, when the door of
communication was shut, the shop rebates inmates were quite alone. On
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chairs were laid elegant masquerade costumes of blue and
white satin. As you left the choice of ace your shops costumes to
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me, said the count to the two friends, I have had these
brought, as they will be the most worn this year; and they
are most suitable, on account of the confetti (sweetmeats),
as they do not show the flour.
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No, replied he; I will not be caught like a fool at a
first disclosure by a rendezvous under the clock, as they
say at the opera-balls. If the fair peasant wishes to carry
matters any further, we shall find her, or rather, she will
find us to-morrow; then she will give me some sign or other,
and I shall know what I have to do.
On my word, said Franz, you are wise as Nestor and
prudent as Ulysses, and your fair Circe must be very skilful
or very powerful if she succeed in changing you into a beast
of any kind. Albert was right; the fair unknown had
resolved, doubtless, to carry the intrigue no farther; for
although the young men made several more turns, they did not
again see the calash, which had turned up one of the
neighboring streets. Then they returned to the Rospoli
Palace; but the count and the blue domino had also
disappeared; the two windows, hung with yellow damask, were
still occupied by the persons whom the count had invited. At
this moment the same bell that had proclaimed the beginning
of the mascherata sounded the retreat. The file on the Corso
broke the line, and in a second all the carriages had
disappeared. Franz and Albert were opposite the Via delle
Maratte; the coachman, without saying a word, drove up it,
passed along the Piazza di Spagni and the Rospoli Palace and
stopped at the door of the hotel. Signor Pastrini came to
the door to receive his guests. Franz hastened to inquire
after the count, and to express regret that he had not
returned in sufficient time; but Pastrini reassured him by
saying that the Count of Monte Cristo had ordered a second
carriage for himself, and that it had gone at four oclock
to fetch him from the Rospoli Palace. The count had,
moreover, charged him to offer the two friends the key of
his box at the Argentina. Franz questioned Albert as to his
intentions; but Albert had great projects to put into
execution before going to the theatre; and instead of making
any answer, he inquired if Signor Pastrini could procure him
a tailor. A tailor, said the host; and for what?
To make us between now and to-morrow two Roman peasant
costumes, returned Albert. The host shook his head. To
make you two costumes between now and to-morrow? I ask your
excellencies pardon, but this is quite a French demand; for
the next week you will not find a single tailor who would
consent to sew six buttons on a waistcoat if you paid him a
crown a piece for each button.
Then I must give up the idea?
No; we have them ready-made. Leave all to me; and
to-morrow, when you awake, you shall find a collection of
costumes with which you will be satisfied.
My dear Albert, said Franz, leave all to our host; he has
already proved himself full of resources; let us dine
quietly, and afterwards go and see The Algerian Captive.
Agreed, returned Albert; but remember, Signor Pastrini,
that both my friend and myself attach the greatest
importance to having to-morrow the costumes we have asked
for. The host again assured them they might rely on him,
and that their wishes should be attended to; upon which
Franz and Albert mounted to their apartments, and proceeded
to disencumber themselves of their costumes. Albert, as he
took off his dress, carefully preserved the bunch of
violets; it was his token reserved for the morrow. The two
friends sat down to table; but they could not refrain from
remarking the difference between the Count of Monte Cristos
table and that of Signor Pastrini. Truth compelled Franz, in
spite of the dislike he seemed to have taken to the count,
to confess that the advantage was not on Pastrinis side.
During dessert, the servant inquired at what time they
wished for the carriage. Albert and Franz looked at each
other, fearing really to abuse the counts kindness. The
servant understood them. His excellency the Count of Monte
Cristo had, he said, given positive orders that the
carriage was to remain at their lordships orders all day,
and they could therefore dispose of it without fear of
indiscretion.
They resolved to profit by the counts courtesy, and ordered
the horses to be harnessed, while they substituted evening
dress for that which they had on, and which was somewhat the
worse for the numerous combats they had sustained. This
precaution taken, they went to the theatre, and installed
themselves in the counts box. During the first act, the
Countess G---- entered. Her first look was at the box where
she had seen the count the previous evening, so that she
perceived Franz and Albert in the place of the very person
concerning whom she had expressed so strange an opinion to
Franz. Her opera-glass was so fixedly directed towards them,
that Franz saw it would be cruel not to satisfy her
curiosity; and, availing himself of one of the privileges of
the spectators of the Italian theatres, who use their boxes
to hold receptions, the two friends went to pay their
respects to the countess. Scarcely had they entered, when
she motioned to Franz to assume the seat of honor. Albert,
in his turn, sat behind.
Franz heard the words of the count but imperfectly, and he
perhaps did not fully jewelry appreciate this new attention to their
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wishes; for he was wholly absorbed by the spectacle that the
Piazza del Popolo presented, bag sell and by the terrible instrument
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that was in the centre. It was the first toys time Franz had ever
seen a guillotine, -- we say guillotine, because the Roman
mandaia is formed on almost the same model as the French
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instrument.* The knife, which is shaped like toys a crescent,
that cuts with the convex side, falls from a less height,
and that is all the difference. Two men, seated on the
movable plank on which the victim is laid, were products eating their
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breakfasts, while waiting for the criminal. Their repast
consisted apparently sports of bread and sausages. One of them
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lifted the plank, took out a flask of wine, drank some, and
then passed it to his buy online companion. These two men were the
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executioners assistants. At this sight Franz felt the
perspiration start forth upon his brow.
The prisoners,
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transported the previous free evening from the Carcere Nuovo to
the little church of Santa Maria del Popolo, had passed the
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night, each accompanied by two gifts priests, in a chapel closed
by a grating, before which were two sentinels, who were
relieved at intervals. A double line electronics of carbineers, placed
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on each side of the door of the church, reached to the
scaffold, and formed a circle around it, leaving a path
about ten feet art wide, and around the guillotine a space of
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nearly a hundred feet. All the rest of the square was paved
with heads. Many women held their infants on their
shoulders, and thus the children had the best view.
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The Monte Pincio seemed a vast amphitheatre filled with
spectators; the balconies of the two churches at the corner
of the Via del Babuino and the Via di Ripetta were crammed;
the steps even seemed a parti-colored sea, that was impelled
towards the portico; every niche in the wall held its living
statue. What the count said was true -- the most curious
spectacle in life is that auction of death. And yet, instead of the
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silence and the solemnity demanded by the occasion, laughter
and jests arose from the crowd. It was evident that the
execution was, in the eyes of the people, only the
commencement of the photo Carnival. Suddenly the tumult ceased, as
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if by magic, and the doors of the church opened. A
brotherhood of penitents, clothed from head to foot in robes
of gray sackcloth, stuff with holes for the eyes, and holding in
their hands lighted tapers, appeared first; the chief
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marched at the head. Behind the penitents came a man of vast
stature and proportions. He was naked, with the exception of
cloth drawers at the left item side of which hung a large knife
in a sheath, and he bore on his right shoulder a heavy iron
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sledge-hammer. This man was the executioner. He had,
moreover, sandals bound on his feet by cords. Behind the
executioner came, in the order music in which they were to die,
first Peppino and then Andrea. Each was accompanied by two
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priests. Neither had his eyes bandaged. Peppino walked with
a firm step, doubtless aware of what awaited him. Andrea was
supported by two priests. Each of them, from time to time,
kissed the crucifix a confessor held out to them.
At this
sight alone Franz felt his legs tremble under him. He looked
at Albert -- he was as white as his shirt, and mechanically
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cast away his cigar, home although he had not half smoked it. The
count alone seemed unmoved -- nay, more, a slight color
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seemed striving to rise in more his pale cheeks. His nostrils
dilated like those of a wild beast that scents its prey, and
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his lips, half opened, disclosed tool his white teeth, small and
sharp like those of a jackal. And yet his features wore an
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expression of smiling tenderness, such business as Franz had never
before witnessed in them; his black eyes especially were
full of kindness and pity. However, the two culprits
advanced, and as they things approached their faces became visible.
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Peppino was a handsome young man of four or five and twenty,
bronzed by the sun; he carried his head erect, and seemed on
the watch to see on which side his liberator would appear.
Andrea was short and fat; his visage, marked with brutal
cruelty, did not indicate age; he might be thirty. In prison
he had suffered his beard to grow; his head fell on his
shoulder, his legs bent beneath him, and his movements were
apparently automatic and unconscious.