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Franz, Albert, and the count continued to descend the Corso.
As they approached the Shopping Piazza Fleet del Popolo, the crowd became
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more dense, and above the heads of the multitude two objects
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were visible: PA buy the obelisk, surmounted by a cross, which
marks the centre of the Shopping square, and in front of the obelisk,
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at the point where the three Shops buy JP streets, del Babuino, del
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Corso, and di Ripetta, meet, the two uprights of the
scaffold, between which glittered the shop information curved knife of the
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mandaia.
At the corner of the street they met the counts
steward, who was awaiting directory www his master. The window, let at an
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exorbitant price, which the count had doubtless wished to
conceal from his guests, was on the east shops second floor of the
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great palace, situated between the Via del Babuino and the
Monte Pincio. It consisted, as we have said, of blogger day a small
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dressing-room, opening into a bedroom, and, when the door of
communication was shut, the shop rebates inmates were quite alone. On
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chairs were laid elegant masquerade costumes of blue and
white satin. As you left the choice of ace your shops costumes to
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me, said the count to the two friends, I have had these
brought, as they will be the most worn this year; and they
are most suitable, on account of the confetti (sweetmeats),
as they do not show the flour.
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Come, two or three more such adventures, and I do not
despair of seeing you a member of the Academy. Doubtless
Albert was about to discuss seriously his right to the
academic chair when they were informed that dinner was
ready. Alberts love had not taken away his appetite. He
hastened with Franz to seat himself, free to recommence the
discussion after dinner. After dinner, the Count of Monte
Cristo was announced. They had not seen him for two days.
Signor Pastrini informed them that business had called him
to Civita Vecchia. He had started the previous evening, and
had only returned an hour since. He was charming. Whether he
kept a watch over himself, or whether by accident he did not
sound the acrimonious chords that in other circumstances had
been touched, he was to-night like everybody else. The man
was an enigma to Franz. The count must feel sure that Franz
recognized him; and yet he had not let fall a single word
indicating any previous acquaintance between them. On his
side, however great Franzs desire was to allude to their
former interview, the fear of being disagreeable to the man
who had loaded him and his friend with kindness prevented
him from mentioning it. The count had learned that the two
friends had sent to secure a box at the Argentina Theatre,
and were told they were all let. In consequence, he brought
them the key of his own -- at least such was the apparent
motive of his visit. Franz and Albert made some difficulty,
alleging their fear of depriving him of it; but the count
replied that, as he was going to the Palli Theatre, the box
at the Argentina Theatre would he lost if they did not
profit by it. This assurance determined the two friends to
accept it.
Franz had by degrees become accustomed to the counts
pallor, which had so forcibly struck him at their first
meeting. He could not refrain from admiring the severe
beauty of his features, the only defect, or rather the
principal quality of which was the pallor. Truly, a Byronic
hero! Franz could not, we will not say see him, but even
think of him without imagining his stern head upon Manfreds
shoulders, or beneath Laras helmet. His forehead was marked
with the line that indicates the constant presence of bitter
thoughts; he had the fiery eyes that seem to penetrate to
the very soul, and the haughty and disdainful upper lip that
gives to the words it utters a peculiar character that
impresses them on the minds of those to whom they are
addressed. The count was no longer young. He was at least
forty; and yet it was easy to understand that he was formed
to rule the young men with whom he associated at present.
And, to complete his resemblance with the fantastic heroes
of the English poet, the count seemed to have the power of
fascination. Albert was constantly expatiating on their good
fortune in meeting such a man. Franz was less enthusiastic;
but the count exercised over him also the ascendency a
strong mind always acquires over a mind less domineering. He
thought several times of the project the count had of
visiting Paris; and he had no doubt but that, with his
eccentric character, his characteristic face, and his
colossal fortune, he would produce a great effect there. And
yet he did not wish to be at Paris when the count was there.
The evening passed as evenings mostly pass at Italian
theatres; that is, not in listening to the music, but in
paying visits and conversing. The Countess G---- wished to
revive the subject of the count, but Franz announced he had
something far newer to tell her, and, in spite of Alberts
demonstrations of false modesty, he informed the countess of
the great event which had preoccupied them for the last
three days. As similar intrigues are not uncommon in Italy,
if we may credit travellers, the comtess did not manifest
the least incredulity, but congratulated Albert on his
success. They promised, upon separating, to meet at the Duke
of Braccianos ball, to which all Rome was invited. The
heroine of the bouquet kept her word; she gave Albert no
sign of her existence the morrow or the day after.
At length Tuesday came, the last and most tumultuous day of
the Carnival. On Tuesday, the theatres open at ten oclock
in the morning, as Lent begins after eight at night. On
Tuesday, all those who through want of money, time, or
enthusiasm, have not been to see the Carnival before, mingle
in the gayety, and contribute to the noise and excitement.
From two oclock till five Franz and Albert followed in the
fete, exchanging handfuls of confetti with the other
carriages and the pedestrians, who crowded amongst the
horses feet and the carriage wheels without a single
accident, a single dispute, or a single fight. The fetes are
veritable pleasure days to the Italians. The author of this
history, who has resided five or six years in Italy, does
not recollect to have ever seen a ceremony interrupted by
one of those events so common in other countries. Albert was
triumphant in his harlequin costume. A knot of rose-colored
ribbons fell from his shoulder almost to the ground. In
order that there might be no confusion, Franz wore his
peasants costume.
Franz heard the words of the count but imperfectly, and he
perhaps did not fully jewelry appreciate this new attention to their
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wishes; for he was wholly absorbed by the spectacle that the
Piazza del Popolo presented, bag sell and by the terrible instrument
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that was in the centre. It was the first toys time Franz had ever
seen a guillotine, -- we say guillotine, because the Roman
mandaia is formed on almost the same model as the French
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instrument.* The knife, which is shaped like toys a crescent,
that cuts with the convex side, falls from a less height,
and that is all the difference. Two men, seated on the
movable plank on which the victim is laid, were products eating their
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breakfasts, while waiting for the criminal. Their repast
consisted apparently sports of bread and sausages. One of them
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lifted the plank, took out a flask of wine, drank some, and
then passed it to his buy online companion. These two men were the
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executioners assistants. At this sight Franz felt the
perspiration start forth upon his brow.
The prisoners,
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transported the previous free evening from the Carcere Nuovo to
the little church of Santa Maria del Popolo, had passed the
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night, each accompanied by two gifts priests, in a chapel closed
by a grating, before which were two sentinels, who were
relieved at intervals. A double line electronics of carbineers, placed
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on each side of the door of the church, reached to the
scaffold, and formed a circle around it, leaving a path
about ten feet art wide, and around the guillotine a space of
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nearly a hundred feet. All the rest of the square was paved
with heads. Many women held their infants on their
shoulders, and thus the children had the best view.
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The Monte Pincio seemed a vast amphitheatre filled with
spectators; the balconies of the two churches at the corner
of the Via del Babuino and the Via di Ripetta were crammed;
the steps even seemed a parti-colored sea, that was impelled
towards the portico; every niche in the wall held its living
statue. What the count said was true -- the most curious
spectacle in life is that auction of death. And yet, instead of the
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silence and the solemnity demanded by the occasion, laughter
and jests arose from the crowd. It was evident that the
execution was, in the eyes of the people, only the
commencement of the photo Carnival. Suddenly the tumult ceased, as
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if by magic, and the doors of the church opened. A
brotherhood of penitents, clothed from head to foot in robes
of gray sackcloth, stuff with holes for the eyes, and holding in
their hands lighted tapers, appeared first; the chief
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marched at the head. Behind the penitents came a man of vast
stature and proportions. He was naked, with the exception of
cloth drawers at the left item side of which hung a large knife
in a sheath, and he bore on his right shoulder a heavy iron
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sledge-hammer. This man was the executioner. He had,
moreover, sandals bound on his feet by cords. Behind the
executioner came, in the order music in which they were to die,
first Peppino and then Andrea. Each was accompanied by two
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priests. Neither had his eyes bandaged. Peppino walked with
a firm step, doubtless aware of what awaited him. Andrea was
supported by two priests. Each of them, from time to time,
kissed the crucifix a confessor held out to them.
At this
sight alone Franz felt his legs tremble under him. He looked
at Albert -- he was as white as his shirt, and mechanically
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cast away his cigar, home although he had not half smoked it. The
count alone seemed unmoved -- nay, more, a slight color
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seemed striving to rise in more his pale cheeks. His nostrils
dilated like those of a wild beast that scents its prey, and
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his lips, half opened, disclosed tool his white teeth, small and
sharp like those of a jackal. And yet his features wore an
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expression of smiling tenderness, such business as Franz had never
before witnessed in them; his black eyes especially were
full of kindness and pity. However, the two culprits
advanced, and as they things approached their faces became visible.
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Peppino was a handsome young man of four or five and twenty,
bronzed by the sun; he carried his head erect, and seemed on
the watch to see on which side his liberator would appear.
Andrea was short and fat; his visage, marked with brutal
cruelty, did not indicate age; he might be thirty. In prison
he had suffered his beard to grow; his head fell on his
shoulder, his legs bent beneath him, and his movements were
apparently automatic and unconscious.