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Franz, Albert, and the count continued to descend the Corso.
As they approached the Shopping Piazza Fleet del Popolo, the crowd became
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more dense, and above the heads of the multitude two objects
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were visible: PA buy the obelisk, surmounted by a cross, which
marks the centre of the Shopping square, and in front of the obelisk,
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at the point where the three Shops buy JP streets, del Babuino, del
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Corso, and di Ripetta, meet, the two uprights of the
scaffold, between which glittered the shop information curved knife of the
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mandaia.
At the corner of the street they met the counts
steward, who was awaiting directory www his master. The window, let at an
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exorbitant price, which the count had doubtless wished to
conceal from his guests, was on the east shops second floor of the
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great palace, situated between the Via del Babuino and the
Monte Pincio. It consisted, as we have said, of blogger day a small
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dressing-room, opening into a bedroom, and, when the door of
communication was shut, the shop rebates inmates were quite alone. On
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chairs were laid elegant masquerade costumes of blue and
white satin. As you left the choice of ace your shops costumes to
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me, said the count to the two friends, I have had these
brought, as they will be the most worn this year; and they
are most suitable, on account of the confetti (sweetmeats),
as they do not show the flour.
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The night was rapidly approaching; and already, at the cry
of Moccoletti! repeated by the shrill voices of a thousand
vendors, two or three stars began to burn among the crowd.
It was a signal. At the end of ten minutes fifty thousand
lights glittered, descending from the Palazzo di Venezia to
the Piazza del Popolo, and mounting from the Piazzo del
Popolo to the Palazzo di Venezia. It seemed like the fete of
jack-o-lanterns. It is impossible to form any idea of it
without having seen it. Suppose that all the stars had
descended from the sky and mingled in a wild dance on the
face of the earth; the whole accompanied by cries that were
never heard in any other part of the world. The facchino
follows the prince, the Transteverin the citizen, every one
blowing, extinguishing, relighting. Had old AEolus appeared
at this moment, he would have been proclaimed king of the
moccoli, and Aquilo the heir-presumptive to the throne. This
battle of folly and flame continued for two hours; the Corso
was light as day; the features of the spectators on the
third and fourth stories were visible. Every five minutes
Albert took out his watch; at length it pointed to seven.
The two friends were in the Via dei Pontefici. Albert sprang
out, bearing his moccoletto in his hand. Two or three masks
strove to knock his moccoletto out of his hand; but Albert,
a first-rate pugilist, sent them rolling in the street, one
after the other, and continued his course towards the church
of San Giacomo. The steps were crowded with masks, who
strove to snatch each others torches. Franz followed Albert
with his eyes, and saw him mount the first step. Instantly a
mask, wearing the well-known costume of a peasant woman,
snatched his moccoletto from him without his offering any
resistance. Franz was too far off to hear what they said;
but, without doubt, nothing hostile passed, for he saw
Albert disappear arm-in-arm with the peasant girl. He
watched them pass through the crowd for some time, but at
length he lost sight of them in the Via Macello. Suddenly
the bell that gives the signal for the end of the carnival
sounded, and at the same instant all the moccoletti were
extinguished as if by enchantment. It seemed as though one
immense blast of the wind had extinguished every one. Franz
found himself in utter darkness. No sound was audible save
that of the carriages that were carrying the maskers home;
nothing was visible save a few lights that burnt behind the
windows. The Carnival was over.
37
The Catacombs of Saint Sebastian.
In his whole life, perhaps, Franz had never before
experienced so sudden an impression, so rapid a transition
from gayety to sadness, as in this moment. It seemed as
though Rome, under the magic breath of some demon of the
night, had suddenly changed into a vast tomb. By a chance,
which added yet more to the intensity of the darkness, the
moon, which was on the wane, did not rise until eleven
oclock, and the streets which the young man traversed were
plunged in the deepest obscurity. The distance was short,
and at the end of ten minutes his carriage, or rather the
counts, stopped before the Hotel de Londres. Dinner was
waiting, but as Albert had told him that he should not
return so soon, Franz sat down without him. Signor Pastrini,
who had been accustomed to see them dine together, inquired
into the cause of his absence, but Franz merely replied that
Albert had received on the previous evening an invitation
which he had accepted. The sudden extinction of the
moccoletti, the darkness which had replaced the light, and
the silence which had succeeded the turmoil, had left in
Franzs mind a certain depression which was not free from
uneasiness. He therefore dined very silently, in spite of
the officious attention of his host, who presented himself
two or three times to inquire if he wanted anything.
Franz resolved to wait for Albert as late as possible. He
ordered the carriage, therefore, for eleven oclock,
desiring Signor Pastrini to inform him the moment that
Albert returned to the hotel. At eleven oclock Albert had
not come back. Franz dressed himself, and went out, telling
his host that he was going to pass the night at the Duke of
Braccianos. The house of the Duke of Bracciano is one of
the most delightful in Rome, the duchess, one of the last
heiresses of the Colonnas, does its honors with the most
consummate grace, and thus their fetes have a European
celebrity. Franz and Albert had brought to Rome letters of
introduction to them, and their first question on his
arrival was to inquire the whereabouts of his travelling
companion. Franz replied that he had left him at the moment
they were about to extinguish the moccoli, and that he had
lost sight of him in the Via Macello. Then he has not
returned? said the duke.
I waited for him until this hour, replied Franz.
And do you know whither he went?
No, not precisely; however, I think it was something very
like a rendezvous.
Diavolo! said the duke, this is a bad day, or rather a
bad night, to be out late; is it not, countess! These words
were addressed to the Countess G---- , who had just
arrived, and was leaning on the arm of Signor Torlonia, the
dukes brother.
I think, on the contrary, that it is a charming night,
replied the countess, and those who are here will complain
of but one thing -- its too rapid flight.
Franz heard the words of the count but imperfectly, and he
perhaps did not fully jewelry appreciate this new attention to their
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wishes; for he was wholly absorbed by the spectacle that the
Piazza del Popolo presented, bag sell and by the terrible instrument
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that was in the centre. It was the first toys time Franz had ever
seen a guillotine, -- we say guillotine, because the Roman
mandaia is formed on almost the same model as the French
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instrument.* The knife, which is shaped like toys a crescent,
that cuts with the convex side, falls from a less height,
and that is all the difference. Two men, seated on the
movable plank on which the victim is laid, were products eating their
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breakfasts, while waiting for the criminal. Their repast
consisted apparently sports of bread and sausages. One of them
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lifted the plank, took out a flask of wine, drank some, and
then passed it to his buy online companion. These two men were the
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executioners assistants. At this sight Franz felt the
perspiration start forth upon his brow.
The prisoners,
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transported the previous free evening from the Carcere Nuovo to
the little church of Santa Maria del Popolo, had passed the
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night, each accompanied by two gifts priests, in a chapel closed
by a grating, before which were two sentinels, who were
relieved at intervals. A double line electronics of carbineers, placed
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on each side of the door of the church, reached to the
scaffold, and formed a circle around it, leaving a path
about ten feet art wide, and around the guillotine a space of
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nearly a hundred feet. All the rest of the square was paved
with heads. Many women held their infants on their
shoulders, and thus the children had the best view.
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The Monte Pincio seemed a vast amphitheatre filled with
spectators; the balconies of the two churches at the corner
of the Via del Babuino and the Via di Ripetta were crammed;
the steps even seemed a parti-colored sea, that was impelled
towards the portico; every niche in the wall held its living
statue. What the count said was true -- the most curious
spectacle in life is that auction of death. And yet, instead of the
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silence and the solemnity demanded by the occasion, laughter
and jests arose from the crowd. It was evident that the
execution was, in the eyes of the people, only the
commencement of the photo Carnival. Suddenly the tumult ceased, as
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if by magic, and the doors of the church opened. A
brotherhood of penitents, clothed from head to foot in robes
of gray sackcloth, stuff with holes for the eyes, and holding in
their hands lighted tapers, appeared first; the chief
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marched at the head. Behind the penitents came a man of vast
stature and proportions. He was naked, with the exception of
cloth drawers at the left item side of which hung a large knife
in a sheath, and he bore on his right shoulder a heavy iron
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sledge-hammer. This man was the executioner. He had,
moreover, sandals bound on his feet by cords. Behind the
executioner came, in the order music in which they were to die,
first Peppino and then Andrea. Each was accompanied by two
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priests. Neither had his eyes bandaged. Peppino walked with
a firm step, doubtless aware of what awaited him. Andrea was
supported by two priests. Each of them, from time to time,
kissed the crucifix a confessor held out to them.
At this
sight alone Franz felt his legs tremble under him. He looked
at Albert -- he was as white as his shirt, and mechanically
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cast away his cigar, home although he had not half smoked it. The
count alone seemed unmoved -- nay, more, a slight color
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seemed striving to rise in more his pale cheeks. His nostrils
dilated like those of a wild beast that scents its prey, and
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his lips, half opened, disclosed tool his white teeth, small and
sharp like those of a jackal. And yet his features wore an
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expression of smiling tenderness, such business as Franz had never
before witnessed in them; his black eyes especially were
full of kindness and pity. However, the two culprits
advanced, and as they things approached their faces became visible.
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Peppino was a handsome young man of four or five and twenty,
bronzed by the sun; he carried his head erect, and seemed on
the watch to see on which side his liberator would appear.
Andrea was short and fat; his visage, marked with brutal
cruelty, did not indicate age; he might be thirty. In prison
he had suffered his beard to grow; his head fell on his
shoulder, his legs bent beneath him, and his movements were
apparently automatic and unconscious.