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Franz, Albert, and the count continued to descend the Corso.
As they approached the Shopping Piazza Fleet del Popolo, the crowd became
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more dense, and above the heads of the multitude two objects
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were visible: PA buy the obelisk, surmounted by a cross, which
marks the centre of the Shopping square, and in front of the obelisk,
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at the point where the three Shops buy JP streets, del Babuino, del
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Corso, and di Ripetta, meet, the two uprights of the
scaffold, between which glittered the shop information curved knife of the
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mandaia.
At the corner of the street they met the counts
steward, who was awaiting directory www his master. The window, let at an
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exorbitant price, which the count had doubtless wished to
conceal from his guests, was on the east shops second floor of the
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great palace, situated between the Via del Babuino and the
Monte Pincio. It consisted, as we have said, of blogger day a small
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dressing-room, opening into a bedroom, and, when the door of
communication was shut, the shop rebates inmates were quite alone. On
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chairs were laid elegant masquerade costumes of blue and
white satin. As you left the choice of ace your shops costumes to
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me, said the count to the two friends, I have had these
brought, as they will be the most worn this year; and they
are most suitable, on account of the confetti (sweetmeats),
as they do not show the flour.
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Come with me, then. Peppino, put out the torch. Peppino
obeyed, and Franz and the count were in utter darkness,
except that fifty paces in advance of them a reddish glare,
more evident since Peppino had put out his torch, was
visible along the wall. They advanced silently, the count
guiding Franz as if he had the singular faculty of seeing in
the dark. Franz himself, however, saw his way more plainly
in proportion as he went on towards the light, which served
in some manner as a guide. Three arcades were before them,
and the middle one was used as a door. These arcades opened
on one side into the corridor where the count and Franz
were, and on the other into a large square chamber, entirely
surrounded by niches similar to those of which we have
spoken. In the midst of this chamber were four stones, which
had formerly served as an altar, as was evident from the
cross which still surmounted them. A lamp, placed at the
base of a pillar, lighted up with its pale and flickering
flame the singular scene which presented itself to the eyes
of the two visitors concealed in the shadow. A man was
seated with his elbow leaning on the column, and was reading
with his back turned to the arcades, through the openings of
which the newcomers contemplated him. This was the chief of
the band, Luigi Vampa. Around him, and in groups, according
to their fancy, lying in their mantles, or with their backs
against a sort of stone bench, which went all round the
columbarium, were to be seen twenty brigands or more, each
having his carbine within reach. At the other end, silent,
scarcely visible, and like a shadow, was a sentinel, who was
walking up and down before a grotto, which was only
distinguishable because in that spot the darkness seemed
more dense than elsewhere. When the count thought Franz had
gazed sufficiently on this picturesque tableau, he raised
his finger to his lips, to warn him to be silent, and,
ascending the three steps which led to the corridor of the
columbarium, entered the chamber by the middle arcade, and
advanced towards Vampa, who was so intent on the book before
him that he did not hear the noise of his footsteps.
Who comes there? cried the sentinel, who was less
abstracted, and who saw by the lamp-light a shadow
approaching his chief. At this challenge, Vampa rose
quickly, drawing at the same moment a pistol from his
girdle. In a moment all the bandits were on their feet, and
twenty carbines were levelled at the count. Well, said he
in a voice perfectly calm, and no muscle of his countenance
disturbed, well, my dear Vampa, it appears to me that you
receive a friend with a great deal of ceremony.
Ground arms, exclaimed the chief, with an imperative sign
of the hand, while with the other he took off his hat
respectfully; then, turning to the singular personage who
had caused this scene, he said, Your pardon, your
excellency, but I was so far from expecting the honor of a
visit, that I did not really recognize you.
It seems that your memory is equally short in everything,
Vampa, said the count, and that not only do you forget
peoples faces, but also the conditions you make with them.
What conditions have I forgotten, your excellency?
inquired the bandit, with the air of a man who, having
committed an error, is anxious to repair it.
Was it not agreed, asked the count, that not only my
person, but also that of my friends, should be respected by
you?
And how have I broken that treaty, your excellency?
You have this evening carried off and conveyed hither the
Vicomte Albert de Morcerf. Well, continued the count, in a
tone that made Franz shudder, this young gentleman is one
of my friends -- this young gentleman lodges in the same
hotel as myself -- this young gentleman has been up and down
the Corso for eight hours in my private carriage, and yet, I
repeat to you, you have carried him off, and conveyed him
hither, and, added the count, taking the letter from his
pocket, you have set a ransom on him, as if he were an
utter stranger.
Why did you not tell me all this -- you? inquired the
brigand chief, turning towards his men, who all retreated
before his look. Why have you caused me thus to fail in my
word towards a gentleman like the count, who has all our
lives in his hands? By heavens, if I thought one of you knew
that the young gentleman was the friend of his excellency, I
would blow his brains out with my own hand!
Well, said the count, turning towards Franz, I told you
there was some mistake in this.
Are you not alone? asked Vampa with uneasiness.
I am with the person to whom this letter was addressed, and
to whom I desired to prove that Luigi Vampa was a man of his
word. Come, your excellency, the count added, turning to
Franz, here is Luigi Vampa, who will himself express to you
his deep regret at the mistake he has committed. Franz
approached, the chief advancing several steps to meet him.
Welcome among us, your excellency, he said to him; you
heard what the count just said, and also my reply; let me
add that I would not for the four thousand piastres at which
I had fixed your friends ransom, that this had happened.
But, said Franz, looking round him uneasily, where is the
Viscount? -- I do not see him.
Nothing has happened to him, I hope, said the count
frowningly.
Franz heard the words of the count but imperfectly, and he
perhaps did not fully jewelry appreciate this new attention to their
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wishes; for he was wholly absorbed by the spectacle that the
Piazza del Popolo presented, bag sell and by the terrible instrument
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that was in the centre. It was the first toys time Franz had ever
seen a guillotine, -- we say guillotine, because the Roman
mandaia is formed on almost the same model as the French
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instrument.* The knife, which is shaped like toys a crescent,
that cuts with the convex side, falls from a less height,
and that is all the difference. Two men, seated on the
movable plank on which the victim is laid, were products eating their
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breakfasts, while waiting for the criminal. Their repast
consisted apparently sports of bread and sausages. One of them
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lifted the plank, took out a flask of wine, drank some, and
then passed it to his buy online companion. These two men were the
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executioners assistants. At this sight Franz felt the
perspiration start forth upon his brow.
The prisoners,
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transported the previous free evening from the Carcere Nuovo to
the little church of Santa Maria del Popolo, had passed the
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night, each accompanied by two gifts priests, in a chapel closed
by a grating, before which were two sentinels, who were
relieved at intervals. A double line electronics of carbineers, placed
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on each side of the door of the church, reached to the
scaffold, and formed a circle around it, leaving a path
about ten feet art wide, and around the guillotine a space of
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nearly a hundred feet. All the rest of the square was paved
with heads. Many women held their infants on their
shoulders, and thus the children had the best view.
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The Monte Pincio seemed a vast amphitheatre filled with
spectators; the balconies of the two churches at the corner
of the Via del Babuino and the Via di Ripetta were crammed;
the steps even seemed a parti-colored sea, that was impelled
towards the portico; every niche in the wall held its living
statue. What the count said was true -- the most curious
spectacle in life is that auction of death. And yet, instead of the
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silence and the solemnity demanded by the occasion, laughter
and jests arose from the crowd. It was evident that the
execution was, in the eyes of the people, only the
commencement of the photo Carnival. Suddenly the tumult ceased, as
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if by magic, and the doors of the church opened. A
brotherhood of penitents, clothed from head to foot in robes
of gray sackcloth, stuff with holes for the eyes, and holding in
their hands lighted tapers, appeared first; the chief
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marched at the head. Behind the penitents came a man of vast
stature and proportions. He was naked, with the exception of
cloth drawers at the left item side of which hung a large knife
in a sheath, and he bore on his right shoulder a heavy iron
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sledge-hammer. This man was the executioner. He had,
moreover, sandals bound on his feet by cords. Behind the
executioner came, in the order music in which they were to die,
first Peppino and then Andrea. Each was accompanied by two
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priests. Neither had his eyes bandaged. Peppino walked with
a firm step, doubtless aware of what awaited him. Andrea was
supported by two priests. Each of them, from time to time,
kissed the crucifix a confessor held out to them.
At this
sight alone Franz felt his legs tremble under him. He looked
at Albert -- he was as white as his shirt, and mechanically
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cast away his cigar, home although he had not half smoked it. The
count alone seemed unmoved -- nay, more, a slight color
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seemed striving to rise in more his pale cheeks. His nostrils
dilated like those of a wild beast that scents its prey, and
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his lips, half opened, disclosed tool his white teeth, small and
sharp like those of a jackal. And yet his features wore an
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expression of smiling tenderness, such business as Franz had never
before witnessed in them; his black eyes especially were
full of kindness and pity. However, the two culprits
advanced, and as they things approached their faces became visible.
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Peppino was a handsome young man of four or five and twenty,
bronzed by the sun; he carried his head erect, and seemed on
the watch to see on which side his liberator would appear.
Andrea was short and fat; his visage, marked with brutal
cruelty, did not indicate age; he might be thirty. In prison
he had suffered his beard to grow; his head fell on his
shoulder, his legs bent beneath him, and his movements were
apparently automatic and unconscious.